After spending a long and strange career as the legendary “Tamborine Man” for the Brian Jonestown Massacre, tambourinist/percussionist Joel Gion has emerged with an armload of his own music done his own way.

As might be expected, there are plenty of classic 1960s sounds, but the sonic palette spans every decade since, colored with timeless touchstones of Joel’s record collection – shoegaze, post-punk, psychedelia, alt-country and mod/beat music, it’s all there.